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Pablo Picasso’s use of grids is a notable aspect of his artistic technique, especially during the development of Cubism. He employed grids to deconstruct and reassemble subjects into fragmented forms, allowing multiple perspectives within a single plane. This method can be traced back to his early analytical Cubist works around 1909-1912, where grids helped structure complex compositions.

The grid provided Picasso with a framework to break down objects into geometric shapes, facilitating the exploration of form and space in new ways. It also enabled him to experiment with the juxtaposition of fragmented elements, creating a sense of depth and movement.

During the Synthetic Cubism phase (1912-1919), Picasso's use of grids became more evident in his collage work. Here, the grid helped integrate various materials and textures, maintaining coherence in compositions that combined different elements like newspaper clippings, fabric, and painted surfaces.

In the later stages of his career, Picasso continued to employ grids subtly, often as underlying structures that supported his evolving style. While the overt use of grids diminished, the conceptual influence persisted, reflecting his continuous interest in the interplay of order and abstraction.

Pablo Picasso was born on October 25, 1881, and he died on April 8, 1973.